Archives for March 2013

Living in the Philadelphia area you quickly notice that the urban fabric is of historical significance. The preservation of this architectural language is accomplished by applying three practices, adaptive reuse, renovating, and historical renovation. Adaptive reuse is the practice of taking a building that was created for a particular function, for an example a sewing factory, and then renovating it to be a residential loft in today’s society. This is often one of most sustainable practices you can do in the field of architecture. If you think about what it takes to construct a new building it’s a little scary what is often required, the destruction of an ecosystem, consumption of land, raw building materials taken from the Earth and transported throughout the country to a construction site. Not mention the energy used to actually build the structure on-site. In college you always think about creating these extravagant and innovative buildings, but one of my professors stated that the majority of the architecture we will be doing during our lifetime will most likely be adaptive reuse, and renovations to existing structures. To this day I often look at buildings for the evidence of renovations and what has changed.

 

 

I recently attended Furthur concerts at the Boardwalk Hall in Atlantic City, and The Capitol Theater in Port Chester NY. This is a little ironic since we’re discussing the ways of preserving a structure for this week’s blog topic, because Furthur is a band preserving the music of an iconic jam band, The Grateful Dead. Anyway, both of these structures were nearly condemned, but with their historical significance, and new investors the venues are better than ever. In 1929 Boardwalk Hall was constructed as the world’s largest clear span structure with 10 pairs of three hinged steel trusses, each spanning 350 feet, and offered over 268,000 sq. ft. of exhibit space with 20 conference rooms at its disposal. This building has held historical events such as the 1960 Democratic Convention, Ringling Bros. Circus, and the Miss America pageant since 1940. In the late 1990’s an adaptive reuse renovation was undertaken to give the hall a desperately needed modernization. Replacement of the deteriorated concrete floor and removal of nearly four acres of asbestos in the ceiling allowed this hall to be occupied once again. A new seating layout with appropriate sight lines to the permanent stage measuring 148’ x 74’ was designed while integrating the original perimeter arcade.

 

 

The Capitol Theatre in Port Chester NY was designed by noted architect Thomas Lamb in 1926 as a playhouse with decorative beauty and luxurious comfort (The only theatre with a refrigerating system in the Westchester County). After flourishing for decades showing plays and films, society was changing in the late sixties and live music was flourishing. The theatre underwent its first adaptive renovation to become a psychedelic performance space. Promoter Howard Stein brought acts like Janis Joplin, Traffic, Pink Floyd, and the Grateful Dead, virtually every major act of the time. In 1976 a town ordinance prohibiting live entertainment after 1 a.m. was passed forcing the Capitol to close its doors. From this point forward decay, and free looting pigeons were the main act. In 1984 the Capitol was added to the National Register of Historic Places giving the venue a glimmer of hope for survival. Local developers tried bringing the structure back with small renovations and catered events, but it was not until music promoter Peter Shapiro announced a renovation and re-opening, with himself overseeing the process, would the Capitol see people coming from afar to grace its presence. Since late 2012 with state-of-the-art light, sound, and video systems the theater has iconic acts on stage once again.

 

 

 

A large percentage of our designs at JL Architects have been adaptive reuse and renovations to existing structures. Some that come to mind are an old farmhouse we adapted into a modern day café. Another project was an old retail space renovated to adequately function for today’s retail market. With that said I’m glad such renovations exist, because they allow us as a modern society to appreciate what was, and what could be. I feel we as design professionals are doing our part to build a sustainable community that is environmentally conscious. I encourage you to find the historical significance of a building you may occupy daily or have always admired. It just may surprise you what has happened inside those familiar walls.

-Nathan Houser